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History Magnecord

Magnecord INC Historical Archival Material Part 1

From the personal collection of D. Boyers, son of Magnecord founding partner John Boyers, PreservationSound is excited to be able to offer several rare documents and historical reminiscences.  The Magnecord PT6 was one of the very first broadcast-quality tape recorders ever made – 1948 – and you can still find working (or repairable) examples.  If you have been following this site for a while, you will know how much I like these machines.  See this link and this link for some examples of recordings I have done recently with the PT6.

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PT6 Maintenance and Engineering manual:

DOWNLOAD: MagnecordPT6_MaintenanceNotes

The user-manual and schematics for the PT6 tape machine has been readily available on the internet; try this link if you need a copy.  The Maintenance Notes are harder to find.  Great information if you need to perform mechanical service on the unit.

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Four-page “Magnecord, INC” Company Newsletter, July 1952:

DOWNLOAD: MagnecordInc_July1952

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John Boyers was one of the founders of Magnecord.  He is now 95 years of age.   His son D. provides these notes regarding John’s career and contributions to recording history:

“I wouldn’t be too surprised to learn there are some (PT-6s) still in use, probably in some third-world broadcasting station somewhere. My first PT-6 was an engineering sample put together prior to the start of manufacturing. I still have it, and it still works, (although I make that claim having not tried to fire it up for 30 years!)
Dad is still with us, although he is the last survivor of the original group, at age 95… One of Dad’s favorite stories… is the time he couldn’t make payroll, but the man at the bank gave him the funds he  needed because of the trusting relationship he had built with the bank.

 

Dad’s interest was mostly engineering. He designed the heads, experimenting with various metals and ways to make the recording gap smaller and smaller. Back then, the
heads were built one at a time, by hand. One of the handiest features of the “6” was the
ability to do instant playback head alignment with that little 4/40 screw and spring
tensioner. …I don’t remember if that was a feature of the production machines or if it was just something  they built into the sample I have. Oh, here’s another story you might enjoy knowing about: Dad and one of the other guys in the shop had a brainstorm and decided to build a “binaural” (ed: Stereo) transport just for fun. They  got it working and took it down to the Illinois Central train station and made a recording of a steam locomotive going by.
I remember hearing the recording, with the locomotive coming in one channel and going out the other. The binaural recorder was the hit of the audio trade show in Chicago that year. According to Dad, the crowds around the little Magnecord booth were huge and the buzz of the show was all about the unbelievable train recording. I asked Dad why they didn’t get a patent on it and he says that it wasn’t patentable. It had been  done before, although not commercially, and it didn’t meet the “new and novel” requirement of patent law. I’ve often wondered if they weren’t just working with the wrong patent attorney.”

Thanks to D. for sharing this history.  We will leave you today with the remainder of a set of Magnecord-Factory photos circa 1950.

36 replies on “Magnecord INC Historical Archival Material Part 1”

I almost cried for joy at finding this new addition to your Magnecorder pages!!

For the last two weeks, I have been in process of trying to restore my Dad’s early Magnecorder PT6-A (PT6-AH transport and PT6-J amp unit) back to working condition. Dad was an organist and choir director, and used this machine into the 1970s, until Parkinson’s disease robbed him of the last 20 years of his life.
He left me hundreds of tapes made on this machine which I want to archive and transfer to digital (not because it is better, but because I want my kid and family to be able to easily play these precious recordings of family events and dad’s music.
He even recorded what was billed as “the last Steam Train in Georgia” in September 1959 with the PT6 and the original tape will send goosebumps up my spine 52 years later!
I have replaced all capacitors, and most resistors, but still have hum which increases with gain/volume knob in amp. This is happening with tape transport unconnected so noise is originating in the amp unit, but I don’t know where. Any thoughts or suggestions?

Also, any hints of where I might find new idler wheels? The tape transport is EXTREMELY noisy due to the old tires being bad. It does work, but just awful noisy. I have just purchased two more machines off eBay this week, which I have not yet seen but bought them to have some spare parts. May be able to restore them also once I find the trouble with my original one.

Looking at the factory pictures is neat! Wish I could step through the time portal and go grab a few of those brand new parts!

Do you know anyone else who loves these machines and who may have some parts?

buying extra machines on ebay is the way to go. good luck. u should expect some minimal hum with the unit, but it sounds like you have some issue. hum increasing with the gain knob is not a function of a bad cap, i would imagine; it might could be that the input tranformer is picking up the power supply hum, ppossibly. tough to say. does the hum persist regardless of whether the unit is in ‘p.a. amplifier’ mode or ‘tape playback’ mode?

Chris, a couple days later, I have now eliminated 90 percent of the hum. Not sure what the cause was; I rechecked my internal wiring which was all correct, but I did add some heatshrink on a couple capacitor leads that were bare. Also rerouted some wires, and for whatever reasons, it now is quite usable. I would like it still quieter, but it is listenable.
The hum before, and now, is MUCH louder in either REC or AMP modes; when in LISTEN (play) mode it is a lot quieter. Still, there is too much hum to make clean transfers to digital. I have to make it quieter yet. One suspect cause is I had to replace all the electrolytic capacitors from inside the “cans” with separate, individual caps which I had to mount under the chassis. This was because the original 4 section multi-cans are no longer available from any source I could find. The original Magnecorder alternate supplier part numbers do not come up in their websites.
I have found a company who will refurbish the original “pucks” – idler wheels with new rubber. Costs around $35 each plus postage. This will be the way to go since, even if I could locate NOS originals, their rubber would be so dried up it would be no good anyway.
At this point, what I need MOST is to get a copy of an ORIGINAL MAGNECORD repair manual for the PT6-A or AH. I have to disassemble the tape transport and it is full of little parts and springs and stuff that look like they could “explode” all over and get lost. There is a right way to dismantle it and I need to know how before I do it the wrong way! Somebody out there must have either some original Magnecord Inc books or some copies. Could you inquire of the gentleman who provided you the photos recently? He may know the whereabouts of remaining factory materials. For the most part, these machines are amazingly well built. Just rubber tires and internal electronics leave a little bit to be desired.

May have original repair manual, for this recorder, have 1000’s of original ELECTRONIC repair manuals from 40′-60’s that i pickup up years ago. Just cruising the net, just bought one of these ph6 at a garage sale, was the ladies grandfathers recorder. looks real clean also. comes in a case. reel to reel in back, inputs and vu meters in front. looks clean, will probably sell in the near future, if interested let me know, can send pictures. haven’t fired up yet. or really care to. weighs a ton though. can also call 7168677033

Hello again Chris,
Does anyone know when Magnecord changed between the rectangular speaker cutout to the round, or the other way ’round? In all these photos I see only the round speakers, but my PT6-AH has the rectangular shaped cutout.

Also, could you possibly contact “D” – the son of John Boyers – to ask if he or his dad may have any surviving ORIGINAL factory service manuals or actual Magnecord company materials?

Reg Smith

Hi Reg. I know that D. reads these pages, so he will certainly see your plea. I do hope to receive more materials from D. soon.
In the meanwhile, you might want to search online for a SAMS photofact for this unit. You could also try contacting studio electronics in Burbank CA.

good luck
c.

Reg,
The speaker “order” was round to rectangular. I happen to posses what is very likely the earliest known PT6, the engineering sample which Dad brought home for me to play with when I was about 10 years old. I have amp from the same exact time period, (also an engineering sample), and it has a round speaker cutout. At some time very shortly into the production of the pair, they went to a rectangular speaker cutout- Perhaps it can be dated by looking at photos in “Magnecord Ink”, the company newsletter.
I do have many original company service manuals, but they deal almost entirely with schematics, not mechanics. I’ll have a good look through them and see if there’s any “exploded” views for you.
Cheers,
Dave Boyers

I just spent three hour hours last night just doing one of the muti section cans on my PT6-J. You can get the 20/20/20/20 450V cans from Tubesandmore.com but they are $30 something, but it was a perfect drop in replacement. I found a JJ mutisection can of 40/20/20/20 450 V to replace the 40/30/20/10 can but I have read that it should be OK. The ground is one lug instead of the four tabs on the original. I’m just about done replacing all caps and a ton of resistors that were out of spec. I didn’t want to completely rewire everything so getting the .05 caps in there was hard without having longer leads. Everything seems jammed in there. I hope the long leads don’t lead to noise.

Hi,
As a (European) collector of Magnecord products and interested by the company’s history and contributions to the art of sound recording I greatly appreciate the rare informations and documents you provided here. (especially the photos of the early Magnecord factory,my deepest thanks to D.Boyers for making these available to us).
Now I’m eagerly awaiting for Part Two of this series,hope it will come soon… with more original pictures and rare documents. Magnecord’s history certainly need to be better documented on the web because their products were innovative,of great historical significance and of the highest quality, some being still in service today nearly 60 years after they left the factory… the PT-6 series were probably the longer lasting tape transports ever produced , a perfect exemple of clever and efficient engineering.
Thanks again for your work,
Nick

Nick,
I’ve just shipped off to Chris a CD loaded with the rest of my Magnecord historical documents. In the early years, Magnecord published a 4-page newsletter/promotional piece entitled “Magnecord Ink” in which they highlighted the hundreds of unusual uses people found for the PT6 and its cousins. That, plus some other sales materials went into today’s mail and Chris should have it in a couple of days, (Ohio to Connecticut). I’m sure he’ll have the stuff up & ready to share as soon as humanly possible. Thanks for your kind words about Magnecord; I’ll pass those on to my 95-year-old father, one of the founding fathers, who will be very pleased to hear of your hobby.
Cheers,
Dave Boyers

Dave:
Any chance of getting one of the CD’s with the historical documents? I”ve got about 4 Magnecords in the collection ( a 100 Magnecordette, a few 748’s and 1028’s ,etc).
Thanks!
Mike Zuccaro
mjzuccaro@aol.com
858-271-8294

Quick tech comment for anyone repairing the PT-6. I did the muti section cans on mine and then was told by my repair guy when he checked it out, that the 450V cans would be better off if they were in the 500 and up range, which you can get. The amp is pushing some high Voltage. He also suggested wire wound resistors near the preamp tube since they can be cleaner sounding. I’ve done a few recordings with mine so far and It it sounds pretty good. Also, the input transformer is muti tapped, mine is wired for 250ohm but yours could be wired for 50ohm. I tried a 50ohm mic and with all that gain, it didn’t seem to matter much but I’m not sure about what effect on tone there might be. It would be cool to have a toggle installed to switch between the two. Hope this might help anyone looking for some info on these as preamps.

Thanks steve. on yr 2 points: I have not measured the B+ voltage in my units, but it’s entirely possible that voltage could push past 450; most amps with PP 6L6s get past 450 at some point or another; this is why the bigger Fenders (super, etc) have series filter caps in the first filter. Regarding wwound resistors in the pre-amp; again, always a good idea IMO. you don’t need to change ALL the resistors, but you will notice less white noise in any tube amp if you replace the plate resistors in the preamp stage with wire-wounds. so yeah good advice!

Chris, is there a magnechordette schematic in your possession? need to wire a transformer that was ripped from mine 🙏

Hi Richard, I checked the files and no, sorry I do not have. I would suspect that any ‘pro’ guitar shop in a metropolitan area should be able to service it for you, it’s a very simple device. good luck – CR

I actually have a 33 1/3 2 album set of the “Sounds of Last Steam Train in Georgia! One of my brothers was fascinated with trains and my uncle, who worked for WMAZ gave this to him

A great recording. I have it and occasionally take it to high end stereo places. They quake at the sight…..

I just came across your wonderful website.A few years ago,I bought a Magnacord PT-6 tape transport and the companion PT-6J amplifier at a antique radio meet near Rochester,N.Y. I would like to restore this tape recorder,but I need the schematic-diagram and the special connectors the connect the transport to the amplifier section.
I can remember hearing a Magnacord PT-6 tape recorder several years ago,and was VERY much impressed with its sound quality. I also have a collection of early disc,wire,and tape recorders. I sure would love to find either info or the Magnacorder SD-1 wire recorder. I look forward to your reply. Say hello to your father for me. Also I had a Magnacord M-30 tape deck several years ago.It was my first Broadcast-Quality tape deck and again I was VERY much impressed with its sound quality.I always regreted selling it a few years ago. I hope to find another M-30 tape deck sometime.
Best regards, Gaylord Ewing

As a pro audio engineer who has followed some of the history of Magnecord, I was most delighted to run across the photos and other information supplied by John Boyer’s son. A great contribution!!

I still enjoy this website.I did not realize that other people seem to enjoy/interested in the Magnecord PT-6 series tape recorders.I just replaced a bunch of capacitors and resistors in the Bias-Oscillator section of the mechanical-section.I also had to replace the 12AU7 tube socket.I’m getting anxious to have my Magnecord PT-6 tape recorder up and working. Does anyone know of a source for the connectors that go between the electronics and transport-mechanism? Any help would be greatly appreciated.I’ll say thank you ahead of time.
Best regards,Gaylord Ewing

hi gaylord. yea the machine has a great sound. i wish mine was setup for 15ips so that i could get some more useful sounds out of it, but we still manage to use it on sessions – i’ll post a clip in a day or so of a recent session that used the pt6.
anyways. i am pretty sure that the connector is from the jones family of connectors – most old-time electronics distro centers should have ’em in dead-stock, or just keep searching ‘jones connector’ on eBay until the right one comes up. Good luck. c.

Thanks for the all the great information provided on this website. I have been recording for several years now on Pro Tools and recently graduated from Berklee College of Music. I became interested in analog recording in 2007 and ever since I have been able to collect 11 decks and about 3,000 reel to reel tapes. Anyway, I just purchased the Magnecorder PT6-AH, but did not realize I needed the PT6-J preamp to use the recording function. I am now in the search of the preamp so I can start recording with this very nice machine. Does anyone know where I could pick one up?

I have all of the pieces needed for the recording at 7.5 IPS or 15 IPS… Are you located in CT ?

Hi there, I just came across this site.
I have a Magnercorder Pt6-JAH it is two units in the one cass.
I can’t seem to find this perticular unit on any of the sites so far.
It is in amasing condishion in its aperence and every thing lights up
When its turnd on. Also has the Instruction Manual.
Can any one tell me more.
Thanking you Roy Cooper

I am presently in the process of restoring a Magnecord M-30 made for RCA Victor for my 1956 Mark I (6-HF-1). The unit is identical to the M-30s I’ve seen pictures of, except it has a bottom front plate for RCA Victor New Orthophonic High Fidelity. It is a marvelous machine…think it was made in 1953. It is a real bear to service, however, and I had to remove the main drive idler and smooth it down with 400 grit sandpaper to get rid of the bad thumping noise in the unit. Putting everything back the way it was before I removed it was extremely difficult. Magnecord did not make these machines for ease of service in mind. You can’t get to any part without removing many other parts first.

Dear Dave
Every once and a while I Google Magnacord and this time I saw a picture of Russ with the other three from the beginning of the company. I assume that you have the picture. could I please get a copy somehow? A good scan would be great but if there is some cost I would be happy to reimburse you.

My mother gave the PT6 that she had to Ken Layer of SF State in the late 70’s as he was writing a history of magnetic recording, which he never finished unfortunately. He gave it to a company in New York City that maintains machines of all formats so that obsolete media can be copied to current formats.

Please give my regards to your father.

Allan Tinkham

Sincerely

I recently got a Magnecorder PT6-J preamp from a tagsale. It originally let out a loud and unsettling feedback-like hum shortly after it was turned on (once the tubes warmed up). I replaced the burned tubes, but I am still getting the same hum, only this time, the hum starts quiet and then gets louder in stages (possibly from going through the tubes??) as the VU meter reacts accordingly. I am not sure where to start in addressing this problem. I saw that earlier there was talk about replacing electrolytic capacitors and wire-wound resistors as well as “cans” (not sure which part was being referred to). I am more of a musician than an electrician, so I would like to know if anyone here has suggestions for me. And, Chris, I too am from CT.

Jesus man. I dont wanma be negs but this might be a bit much for u to handle based on yr questions. There are some basic troubleshooting techniques that you should try. First off. Trace the B+ chain. Measure alll those voltages. Isolate the noisy stages and recap them. Determine if any of the B+ resistors are noisy. These are the basic starting points for trouleshooting a unit like that. If this is confusing and / or nonsense to you, then maybe read the aspen pittan book or some similar text and see if u can absorb thr basics. Good luck. C.

I am in the middle of refurbing our old PT6 series (~1954) 1/2 track transport and electronics (miniature tube version with 12AX7, 12AU7, 5879, 6AQ5 and 5Y3) used until ~1961 and stored since then. I did not replace caps but instead reformed all of the electrolytics by applying rated voltage through ~2K and ‘soaking’ until leakage current dropped to the 10’s or low 100’s of microamps .. which took as long as 36 hours. All caps then measured at or above rated capacity.
Had to replace the selenium bridge stack in the 12.6 volt DC filament supply (very poor front to back ratio) with a silicon bridge in series with 5 ohms to drop the filament voltage to slightly over 12.6 at 125VAC line voltage. Amp shows no noticeable hum.
Just sent off the main drive and take up reel pucks to Terry’s Rubber Rollers for rebuilding as they had hardened and were slipping. Rest of transport looks good and heads still appear to have useable life.
Some of the tapes I need to digitally archive (voice recordings from amateur radio contacts with the Antarctic) were done at 3.75 but the EQ network was 7.5 (the amp only had the 7.5/15 plug in EQ network. Guess we didn’t realize it at the time since we didn’t need anything above 4KHz.
Managed to clean up the portable cases (which had mildewed somewhat) to the point where they have that ‘leatherette’ smell that I remember when they were new. A fine piece of vintage audio equipment which Magnecord engineers could be justly proud of.

Does anyone have an extra output transformer for a PT6-J? My Tech told me that mine is now dead. The output transformer is really close to one of the 5881’s so I wonder if the heat might have caused some damage. For kicks I was trying the 4 ohm speaker out. There is a burnt look to the transformer near the tube. Anyway…..I’d hate for this to be useless, and right now it is, so if you have one please let me know here. I also can’t be sure who made it and that would help while watching out for one. the part number is 32B30….same as on my other PT6. The part list says 5500ohm CT, sec.1 600ohm Sec. 2 16ohm tapped at 4ohm. Thanks

Hi steve. you might wanna watch ebay for an old broken tube PA head that used a pair of 6L6s. many of them have both 600 ohm secondaries and 4/8/16 VC secondaries. good luck.

I have the output transformer that you need. With the specifications that you state, your unit would use 6L6 output tubes (or 5881). There are also Magnecord electronics that use 6V6 output tubes. I have output transformers for both versions, plus many other parts for the mechanical transport and electronics chassis.

Palmer

Palmer,

If you still have that transformer can you let me know? You can email me through the website at westcoastramblers.com
I did find a Merrit transformer but it has 6600 primaries and 500 ohm secondary with the 16 and 4 ohm taps. It should work but maybe a direct replacement would be better? It’s also a bit bigger but I think I can get it to fit.

Thanks,
Steve

Why is their first product: the incredible SD-1 wire recorder not mentioned here?
DETAILS SUMMARY: CAPSTAN DRIVEN; 2 SPEEDS: 24 & 48 IPS; AC BIASED; BALANCED I/O; 19″ MOUNT; STATIC HEAD

What information might survive about the manufacturing, sales and marketing of the SD-1? When and in what venue was it introduced? How many were built and sold and to which customers them? My redesign of an Ampex AG440 (for my use) was highly inspired by, and an operating tribute to it.

Best Regards,
Art

I enjoy your web sight a lot.
I visit “NHK museum of broadcasting” in Tokyo Japan weeks back and I saw PT6 amp unit and drive unit. But amp unit was not looks like PT 6-J that I have. It was looks like 3 channel input amp.
I saw your picture of your “Final Testing Section” and it was similar to the one which is on the floor near inspecter’s foot. The museum have no information about this amp but they used once awhile. Do you have any information about this one?

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