I recently purchased a pair of these things for a few bucks. Aside from needing new pilot bulbs and some contact cleaner in the volume pot, they seemed to be working alright.
Since the tube compliment is 7025 (aka 12AX7) – into 6AQ5 power tube (aka basically lower-voltage rated, small-bottle 6V6) with a single volume pot between the two 7025 stages, this thing is basically…. a tweed fender champ. Yes, there are some important differences – different plate resistor values, no cathode bypass caps on the preamp stages, and i think some frequency compensation in a the feedback loop? But basically a tweed champ. ANYhow… Following the advice offered here, i put a 1/4″ guitar jack where the single-pin power socket had been. Then i simply added the other basic components of a Fender guitar-input-stage: a 1m resistor to ground, and a 68k resistor between the input and the grid of the input tube stage. Replaced the 2-wire AC cable with a 3-wire grounded cable, and done.
There is plenty of talk on the web about these things… lotsa folks have converted these to guitar amps in the same manner that i discussed… and people seem to be very happy with them. Check out this fellow’s work. He did an especially thorough job. I was personally kinda shocked with the sound that it makes. Never in my life have i heard so much distortion and fuzz out of an amp. It really is, pardon my language, fucking insane. Here’s 3 sound clips. (Gibson Firebird gtr. SM57 3″ in front of the speaker, into MBox. ‘Clean’ and ‘Overdrive’ examples have analog echo pedal between the guitar and the amp. Fuzz is just the amp. No other eq or processing applied). Check it…
Clean: Magnasync_URS_clean
Overdrive, fingerpicked: Magnasync_URS_overdriven
Fuzzed out (max volume): Magnasync_URS_fuzz
*************
*******
***
Oh and about that other URS conversion that I built: as of today, it is still on-sale at Main Drag Music in Brooklyn NY for a mere $250. Call or email them if yr interested.
Starting this month I am scaling back the monthly WPKN FM radio show to one…
Im back from 2 weeks in Japan, time that I primarily spent hunting for records.…
Available now on LoveAllDay Records : the new LP "Secular Music Group Volume 1"- avail on vinyl…
This month's Preservation Sound Radio program will air tonight Tuesday May 21 at 8:30 PM.…
This month on Preservation Sound Radio: nine side-filling tracks from 1970 thru 1986, all from…
This month's show airs Tuesday 2.20.24 at 8:30PM -11:25PM EST on WPKN 89.5 FM in…
View Comments
Great sound from this amp. My Father deals in film equipment and has a bunch of these laying around. Thanks for discovering these amps sound great for guitar!!. Peace, Marty
Hi! If your father has film equipment he doesn't use I am always looking for things! I'm a film student in Chicago, email me! :)
what mic did you record those clips with? sounds great...
as the article says... "SM57 3″ in front of the speaker, into MBox. "
Odd tho' Because the mic pictured is an audio technica.
Hi Kenn. actually the mic in that photo is a Royer. The standard studio ribbon for gtr amps. The audio-technica branding you see in on the shockmount. Not the mic.
The photo is associated with the text block below the photo. Not above it. Rest assured, the audio clips on the page were made with a shure sm57.
c.
Hi,
Just picked up one of these URS amps. I was wondering of any resources out there to show the conversion steps. Something with some pictures would be great. I am fairly proficient working with small electronics and I am aware of the dangers/procedures to discharge capacitors, just looking for some direction.
Thanks,
John
That is so 😎 thanks for posting love it!