There is far too much revelatory information in this 261pp book for me to offer a thorough description, but suffice to say that between the 1918 Russian revolutions and the complete implementation of brutal Stalinist Totalitarianism in the mid 1930s there flourished a brief period of radical utopian thinking in the Soviet Union which expressed itself throughout the arts. Many of us are familiar with the new and highly influential Soviet graphic forms that emerged in this period; less documented are the incredible new directions in sound and audio that were undertaken. This book attempts to change that, with biographies of leading Soviet sound experimenters of the period, including Arseny Avraamov, who undertook intense experiments in graphically-drawn sound intended for playback via film-projector photocell.
If the music itself sounds a bit regressive, this is due in large fact to the repressive political regime already in place by the early 1930s which sought to eliminate abstract and ‘avant garde’ artwork; many of these same composers and thinkers had been intensely involved with microtonal and ‘noise’ musics only a decade earlier; and many of these Soviet visionaries of the 1920s and 1930s were either executed or consigned to labor camps and/or tweedy backwaters as a direct result of their unconventional formal experiments.
All images in this article are scanned from the book reviewed here.
Starting this month I am scaling back the monthly WPKN FM radio show to one…
Im back from 2 weeks in Japan, time that I primarily spent hunting for records.…
Available now on LoveAllDay Records : the new LP "Secular Music Group Volume 1"- avail on vinyl…
This month's Preservation Sound Radio program will air tonight Tuesday May 21 at 8:30 PM.…
This month on Preservation Sound Radio: nine side-filling tracks from 1970 thru 1986, all from…
This month's show airs Tuesday 2.20.24 at 8:30PM -11:25PM EST on WPKN 89.5 FM in…
View Comments
NOW THIS is some incredible archeological digging, my friend! Thanks for posting the book link and the scans.
I'm on buying this NOW!
I'm in love with these sounds. Why are we not investigating this form of sound production? I'd love a VSTi or sample machine inspired by these sounds.
Interesting that they've created waveform-like structures like sawtooths and trapezoids. In the Carlos-style classical piece there's a voice which sounds like a narrow pulse. I wonder what the correlation between patterns and timbre is. Ach, so many questions.
Brilliant find :)
Remember, Russian engineer Lev Theremin pretty much invented electronic music (by accident!) during that period.