Top to bottom: Toa, Peavey, Mesa-Boogie, Cerwin Vega, all circa 1981.
Im back from 2 weeks in Japan, time that I primarily spent hunting for records.…
On Friday June 30 LoveAllDay Records will release my new LP "Secular Music Group Volume 1"on vinyl…
This month's Preservation Sound Radio program will air tonight Tuesday May 21 at 8:30 PM.…
This month on Preservation Sound Radio: nine side-filling tracks from 1970 thru 1986, all from…
This month's show airs Tuesday 2.20.24 at 8:30PM -11:25PM EST on WPKN 89.5 FM in…
The first Preservation Sound Radio program of 2024 will air Tuesday January 16 at 8:30PM…
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Is she intended as *a simile for the speakers? *a metaphor for the musical signal that will ‘exite’ these speakers? *a metonym for the community of all nightclub-speaker users? *a form of ‘impossible representation’ given that she seems quite unlikely to be a purchaser of this product, and the speakers are equally unlikely to be a ‘client’ of hers?
Probably none of the above. In the guitar mags of the 80s, the idea was to get as close to porn as possible without actually showing possible. It was just a convenient thing to shoot and would "epater les bourgeois" without actual obscenity, and under budget. No one read more into it than there was, which was not much.
The exception was Mike Matthews of Electro-Harmonix. The other ads were just bored midline ad people trying to be edgy on a low budget. Mike was authentic, a real first class lecher of Al Goldstein proportions whose raunchy shoots were a chance for him to really lech out.
Case in point:
http://i.ebayimg.com/00/s/MTYwMFgxMjA0/$%28KGrHqNHJEQF!dQ4YBcdBQW9rlFWVQ~~60_57.JPG