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The EMT 250 and 244 Digital Reverbs

EMT_250Download the original product-sheets for the EMT 250 Digital Reverb and its baby bro the 244:

DOWNLOAD: EMT_244_250_reverb

That giant 99-lb star-wars-lookin thing above is an EMT 250.  Ten years ago I was working on a session at Ocean Way Nashville and they still had one of these things right next to the console.  Anyone out there still using a 250 in the studio?  The 250 uses 12-bit, 24k convertors, which means that both input and output are low-passed at 11Khz.

EMT_250_flowThis brings up a good point about reverb in general: you don’t need a lot of hi-end to create good-sounding reverb for most applications…  I always keep some sort of low-pass filter active in my reverb returns to trim off anything that’s not contributing in a meaningful way.  Luckily, even the most basic reverb plug-ins tend to have a low-pass adjustment built in.  My $0.02: use it!

250_reverb_diaVery interesting to read this: so apparently the 250 uses 19 different taps, with feedback only on some of them.

EMT_244The lesser-known 244 (i’ve personally never seen one, FWIW) uses 13 bit convertors; no sampling rate is specified, but given that the frequency response is stated between 30hz and 8khz, it’s likely around 20k.

To you veteran engineers out there: was the 250 the first high-quality digital reverb? Were there any earlier units that you have used?  Let us know,,,

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