Download my new track “Derniers Préparatifs” here:
Eight days ago I found an ancient Italian polysynth at a local pawn shop. Called the Crumar Orchestrator, it’s an odd combination of string synth, ‘electronic piano,’ and monosynth all in one rather heavy package. The sound is effortlessly evocative of circa 1980 Euro cinema, and this track came to me instantly. You can see pics of the Crumar, hear my original live performance of the piece, and even see the drumkit mic’ing for this track at my Instagram page.
As with the rest of my Camerro project, this track was recorded entirely on a four-track cassette recorder: in this case, a Tascam 134. Here’s how it went down:
Track 1: Ace Tone ‘Rhythm Ace’ drum machine w/heavy Yamaha E1010 16th note echo; Track 2: Crumar orchestrator (this is the bulk of what you’re hearing). Track 3: Bass guitar. Track 4: add elec guitar while submixing with tracks 1, 2, 3.
After the bounce, I added live drumkit to track one (overwriting drum machine), and add two passes of Roland Alpha Juno synth + Hohner Pianet electric piano to tracks 2+3 (overwriting bass+ Crumar). The kit was recorded with two mics, submixed thru a basic mic preamp and heavily compressed to tape.
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This sounds fantastic. It feels like it's 1982, and it only leads to one question: do androids dream of electric sheep?
Thanks 'Rick.' Few scores loom larger for me, there's probably a bit of that in everything that I do. CR