I was recently hired by The Westport Auction Company to catalog and research an incredible collection of early radio and audio. Charles O’Neil operated Bridgeport’s radio repair shop from 1935 until 1970. He amassed an enormous collection of artifacts that are being offered for the first time. Visit Westport Auction dot com and follow the link there to register to bid.
This is a one-of-a-kind, complete, unpicked collection of 1870s to 1970s radio, audio, early mechanical instruments, and more. Highlights include a circa 1931 Emicon, possibly the first commercially-produced synthesizer, and possibly one of only two surviving examples in the world. There’s a great amount of early Western Electric items, and some fascinating ephemera lots as well.
Check out the catalog at @westportauction, read the terms there, and register to bid. Full disclosure: I am employed by Westport Auction for the auction.
Tonight 10.04.22 WPKN 89.5 FM will broadcast a special encore presentation of our June 2020 mixtape. 11:35PM airtime. Click here for the tracklist. it’s a weird and special one and i’m glad it’s getting a second airing/.
The P/S Summer Mixtape 2022 will air on WPKN 89.5 FM at 8:30 PM on Tuesday August 16. Soft and dreamy psychedelic sounds predominate. Perfect for drifting off to sleep in the shade on a hot afternoon. Here’s the tracklist.
- Love “Listen to my song” from ‘Out Here’ Blue Thumb BTS-9000 1969
- Tom Rush “The Urge for Going” from ‘The circle game’ Elektra EKS-74018
- Jamie Brockett “First and utter hours (of dawn)” from ‘2’ Oracle/Capitol SKAO-601 1970
- David Crosby “Song with no words” from “If I could only remember my name” Atlantic SD7203 1971
- Mike Corbett & Jay Hirsh “Uncut Diamonds” from S/T LP ATCO SD 33-361 1971
- Morning “Sleepy Eyes” from ‘Morning’ Vault 138
- Pulse “Garden of Love” from S/T LP Poison Ring PRR 2237 1969
- JK and Co “Magical fingers of Minerva” from ‘Suddenly one summer’ Beat Rocket BR126 2001 repress (orig rel 1968)
- Bobby Calendar “I’m just high on life” from ‘Rainbow’ MGM SE-4557 1968
- Larry Coryell “The meditation of November 8th” from ‘Offering’ Vanguard VSD 79319 1972
- Battiato “Air of Revolution” from ‘Aires’ Superior Viaduct SV133 2017 repress (orig. rel 1973)
- Drago Mlinarec “Tema Iz” from ‘Rodenje’
- JJ Cale “Cherry “ from ‘Troubador’ Shelter SRL-52002
- John Martyn “don’t want to Know” from ‘Solid Air’ Island SW-9325
- Michel Zacha “Temps De Pluie” from ‘La Nuit Des Cigales”, Barclay 80171
- (Set break) Walter Carlos “Summer” from ‘Sonic Seasonings’ Columbia KG31234 1972
- Tommy James “Meet the comer” from S/T LP, Roulette SR420511970
- Stephen and the Farm Band “Easy Does it” from ‘Up in your thing’ private-press 1973
- Drajo Mlinarec “Posthumous Revenge” from S/T LPJugoton LPY-V-S-50926, Croatia 1971
- Edens Children “Invitation” from ‘sure looks real’ ABC ABCS-652 1968
- Mark Fry “Narrow Streets” from ‘Dreaming with Alice’ Thorns 90991-repress, orig issued 1972
- Walter Carlos “Summer” from ‘Sonic Seasonings’ Columbia KG31234 1972
- Contraction “Délire” from S/T LP Columbia Canada FS-735
- Terry Reid “Milestones” from “River” Atlantic SD7259 1973
- Forever More “What a lovely day” from ‘Words on Black Plastic’ RCA LSP-4425 1970
- Meic Stevens “Lying to myself” from ‘Outlander’ Numero Group 1258 1970 (2016 r/i)
- Roy Harper “How Does it Feel” from “’Flat Baroque…’ Harvest SKAO-418 1970
- Loren Mazzacane & Kath Bloom “There was a boy” from ‘Sing the children over’ Ambiguous Records AMB-002 1982
- (set break) Walter Carlos “Summer” from ‘Sonic Seasonings’ Columbia KG31234 1972
- Mecki Mark Men “Being is more than life” from ‘Driven by the fury of demons’ Limelight LS 86068 1969
- Doji Morita “Godobye” from ‘Horizon’ Polydor Japan 1975
- Andreas Thomopolous “Now that you are back” from ‘songs of the street’ Mushroom 100MR-1
- Arleta “Now I will Fly Away” from ‘Introducing’ Lyra 3223 Greece 1966
- Public Nuisance “7 or 10” from ‘Gotta Survive,’ rec. 196X, rel. 2012
- Jackson C Frank “Just Like anything” from S/T LP 4M820 2013 repress (orig issued 1965)
- Blues Magoos “Yellow Rose” from ‘Basic Blues Magoos’ Mercury SR61167 1968
- Tyrannosaurus Rex “She was born to be my unicorn” from ‘Unicorn’ Blue Tumb BTS7 1969
- Simon Finn “Patrice” from ‘Pass the distance’ ASH103 2018 repress (orig 1970)
- Cano “The Roads of Ottowa” from ‘Tous Dans L’meme Bateau’ A&M SP-9024 1976
- Fred Neil “A little bit of rain” from ‘a little bit of rain’ Elektra EKS-74073
- West “Dolphins” from ‘West,’ Epic BN26380
- John Fahey “On the sunny side of the ocean” from ‘The Transfiguration of Blind Joe Death’ Riverboat RB1 1967
- King Crimson “Lady of the Dancing Water” from “Lizard” Atlantic SD 827
- Paul Horn “Inside the Great Pyramid” Mushroom MRS-5507 1977
- David Bowie “Memory of a free festival” from ‘Space Oddity’ RCA AQL1-4813 1980 repress (orig rel 1969)
Got a good one for you today. Below is a 1969 article from “Science and Electronics” magazine (auth. Herb Friedman) that describes an incredibly simple way to add an adjustable, defeat-able silicon-fuzz circuit to any tube guitar amp. I haven’t tried this yet but i am def excited to. If anyone builds this out, please comment and let us know the results.
Happy new year y’all. Been a good long while since i’ve posted anything besides my radio playlists. One reason for this is that I’m so much busier than I was 12 years ago when I started this blog; between my regular job and my new brewery operation I don’t have two spare minutes to rub together.
The other reason, though, and this is a major factor, is that there is now so much less of a need for what this blog did: displaying technical ephemera related to audio gear and audio production. When I created this blog, almost of all this sort of discussion happened on internet ‘news groups’ and ‘forums’; there were few blogs, or websites, devoted to making this kind of material available on a semi-permanent basis. Now there are 100s, probably 1000s. It was the case 12 years ago that I would, everyday, pull some piece of old paper out of the shop and sure enough: no one had yet made it available free online. That’s just not the case anymore. In the past decade, many many many folks have created resources like Preservation Sound, and nowadays almost every piece of ancient tech lit I find *already* has a home on the web.
Well, that wasn’t the case with these two things. Above is a pair of GATES M6244 broadcast phono preamps. Tried as I might, I could not find schematics for these things; nor could I find an answer to the mystery of why there are two *different* circuits with the same apparent model number.
The two identical units here that I found and partially recapped are, unfortunately for me, the early M6244 which are designed to work the GE “VRII” variable-reluctance cartridge. Now, this cartridge *is* fairly common, but only as a mono cartridge (there is apparently a Stereo version of the cart, but its very rare, i’ve never found one, and its pricey online). Almost every good-quality phono cartridge sold since the 1960s has a 47,000 ohm impedance – a significant difference.
According the manual, in fact, this preamp derives its RIAA high-frequency roll-off spec from the relationship b/w the 6200 ohm cartridge impedance and R3, the load resistor. The low-frequency characteristic is derived from a feedback network between the two transistors.
The M6244B, which I was not fortunate enough to find, is designed to work with a now-standard 47K ohm cartridge. If you look at the schematic, you will see that the feedback network between the two transistors is a bit more complex; this is because in THIS design, both the low-frequency AND the high-frequency compensation occur via this network:
Alright. So here’s a question for all you more-knowledgeable types out there. I’m no engineer. Is there a relatively EZ way that I can modify this pair of m6244 to behave properly with a 47K ohm cart? If these things were point-to-point wired (IE., not a pcb), I would simple re-build them following the m6244B schematic. But that would be too much work with the PCB -style construction -they are too different in design. Any other ideas? For what its worth, before I was aware of this impedance ‘issue,’ I tested the two units with a deck loaded with a garden-variety vintage SHURE cart (spec’d at 47K ohms), and it sounded absolutely fine to me. Any thoughts?
The December 2021 Preservation Sound Radio show has aired, but you can stream it from the WPKN FM archives at this link until January 5th (firefox seems to work best for this streaming player). This show is part 2 of my exploration of Soviet sounds, all taken from the original LP records. The artists featured hailed from Russia, Poland, Czech, Hungary, Estonia, Latvia, Lithuania, East Germany, former Yugoslavia, and possibly other nations of the Soviet empire from the period of Soviet rule.
Here’s the setlist. Please keep in mind that I had to use GoogleTranslate (camera mode) to translate many of these artist&track names, so incorrect translations and misspellings are certainly present here.
- Alla Pugacheva “Come”
- Breakout “We have told all”
- No To Co “Sunday”
- The Nautiks “Sing of Peace”
- Little Flower “Glittering Dawn”
- Combo ABC “Hey Jude” (SET BREAK)
- David Tukhmanov “From Sappho”
- The Young Seven “Letter Father”
- Breakout “Modlitwa”
- Alexander Gradsky “Nothing in the pole”
- Aquarium “Sky Becoming Closer”
- Ruja “To Mr Lennon”
- Pudhys “sometimes in sleep” (SET BREAK)
- Alla Pugacheva “Sometimes in Summer”
- Omega “Night on the Road”
- Songs (Pensary) “oops its early Ivana”
- No To cp “This side of the lake”
- Czelaw Nieman “Flowers of my country”
- SSB “Departure” (SET BREAK)
- Velnio Nuotaka “Devils Bride (c1)”
- Skaldowie “Krywan Krywan”
- SSB “Call for glass bronze”
- Zodiac “Silver Dream”
- Vaclav Bacily “Planetarium”
- SSB “New Horizon”
- Bayon “Put you in the middle of the rain” (SET BREAK)
- Alice “Come to me “
- Progres 2 “The son of stars”
- Marek Bilinski “The King of Dawn”
- SSB “Memory in rising stone”
- Neiman Arolit “The Pilgrim”
- Michael Urbaniak “Silence”
- Gunnar Graps “Meeting”
- Alexander Gradsky “You left me, Female”
- Alexander Gradsky (from ‘Romance for Lovers’ OST) “Lullaby”
- Sven Grunberg “Hingus”
tonite:
a world premiere
an opera in Three Acts:
8-Tracks & Schwag Weed
–a custom-van odyssey-
to be broadcast on 89.5 FM WPKN Bridgeport and online at WPKN.org
8PM-11PM EST Wed Jan 13
‘do-not-miss’
1. Fluff “The Only Reason You Never Did It Before…” from their S/T LP SR3011 1972
2. The Shocking Blue “Send Me A Postcard” from their S/T LP CS-1000 1970
3. Joe McDonald “Playing with Fire” from ‘Hold On Its Coming’ VSD 79314 1970
4. Tommy James And The Shondells “Moses and Me” from ‘Travellin’’ SR42044 1970
5. Blue Cheer “Peace of mind” from ’New! Improved!’ PHS 600-305 1969
6. Frijid Pink “I’m Moving” from ‘Defrosted’ PAS 71041 1970
7. Elephants Memory “She’s Just Naturally Bad” from ‘Take it to the Streets’ MD1035 1970
8. MC5 “Looking At You” from ‘Back In The USA’ K50346 1970
9. The Easybeats “Come In You’ll Get Pneumonia” from ‘Vigil’ UAS 9026 1968
10. Thin Lizzy “The Rocker” from ‘Vagabonds of the Western World” XPS 636
11. Mars Bonfire “Born To Be Wild” from ‘Faster Than The speed of Life” CS9834 1969
12. Quicksilver Messenger Service “Cobra” from ‘Just for Love’ SMAS-498 1970
13. The Chris Moon Group “Give It To Me” from his S/T LP Z30228 1970
14. Hearts and Flowers “Secondhand Sundown Queen” from ‘Of Horses-Kids-and Forgotten Women’ ST2868 1968
15. The Blues Magoos “Yellow Rose” from ‘Basic Blues Magoos’ SR 61167 1968
16. Shanti “We Want To Be Free” from their S/T LP SD8302 1971
17. The Peanut Butter Conspiracy “The Market Place” from ‘…Is Spreading’ CL 2654 1967
18. J.C. “You Can’t Tell A Man By The Song He Sings” from ‘Life’ PLP-1 1970
19. The Rationals “Handbags and Gladrags” from their S/T LP CR-1334
20. Everyday People “Girls” from their S/T LP Paramount 9233-1002 1970
21. Kevin John Agosti “The Reason” from his S/T LP GMS1067 1978
22. Mecki Mark Men “Being Is More than Life” from ‘Running in the Summer Night’ LS 86068 1969
23. Spirit “Life Has Just Begun” from ‘Twelve Dreams of Dr. Sardonicus’ E 30267 1969
24. Traffic “Dear Mr Fantasy” from the LP of that title UAS 6651 1968
25. The Electric Prunes “So Many People To Tell ” from ‘Just good old rock and roll” RS6342 1969
26. Fat Mattress “Naturally” from ‘Fat Matress II’ SD 33-347 1970
27. Terry Reid “Speak Now or Forever Hold Your Peace” from his S/T LP BN26477 1969
28. JJ Cale “Cherry” from ‘Troubador’ SRL-52002 1976
29. Pelican “Golden Promises” from ‘Uppteknir’ AA018A 1974
30. The Raspberries “I Can Hardly Believe You’re Mine” from ‘Starting Over’ ST-11329 1974
31. The Small Faces “Afterglow” from ‘Ogden’s Nut Gone Flake’ Z12 52 008 1968
32. Black Pearl “Endless Journey” from their S/T LP SD8220 1969
33. JK and Co “Nobody” from ‘Suddenly One Summer” BR126 (RI) orig rel 1968
34. Tommy Brown “I didn’t have the time to say goodbye” from his S/T LP Pathe C066-13045 1975
35. Captain Beefheart “Observatory Crest” from ‘Bluejeans and Moonbeams’ SRM 1-1018 1974
36. Linn County “Suspended” from ‘Fever Shot’ SR61218 1967
37. Crystal Mansion “Let Me Get Straight Again” from their S/T LP R540L 1972
38. Country Joe and The Fish “Who am I” from ‘I-feel-like-I’m-fixin-to-die’ VSD-79266 1967
39. John Roman Jackson “Sometime” from his S/T LP OR-2001 1971
40. Jethro Tull “Cats Squirrel” from ‘This Was’ CHR 10411968
41. Stealers Wheel “Everything Will Turn Out Fine” from ‘Ferguslie Park ’SP-4419 1973
42. Man “O, child, in time” from their S/T LP CS9803 1968
production notes: assembled entirely from the original 33RPM vinyl LPs, transcription via Technics 1200, Shure 44-7, Teac PA-4 preamplifier
**update 07.09.21 – audio clip added! see below! you can now HEAR this monstrosity!**
Download a 4PP article (+advert) from the June 1951 RADIO ELECTRONICS on the subject of a novel (+fairly creepy) electro-mechanical speech-synthesizer designed by Bell Labs.
This has got to be one of the wildest electro-mechanical synths every created. I wonder what New Jersey basement it ended up in. I’m preeeeetty sure that this abomination provided the historical-basis for the device that Tony Shaloub’s character was developing in the first season of The Marvelous Mrs. Maisel. Anyhow. It’s weird and far-out and I think you will enjoy reading about it.
T.F. provided us with this audio clip so that you can hear this device in action. it’s pretty remarkable TBH…
Now available: the EP ‘BETTER IS GOLD’ from Enid Ze.
You can hear it via the platform of your choice at this link.
Enid Ze is a musical vision conceived and directed by Zimbabwean-born singer/songwriter Nyasha Chiundiza, produced and mixed by yours truly, with invaluable aid+participation from so many of my most dear musical collaborators. It is not lightly that I tell you: Nyasha is a visionary and an iconoclast. Here’s some words about the project from the man himself, but please don’t take his (or my) words for it. Check out the tracks. This is something else, and something wonderful. From NC:
enid ze is a continuation and reimagining of the Southern African tradition of Zamrock—W.I.T.C.H. Keith Mlevhu, Wells Fargo—where global pop and rock come to cohere in specific existential experiences of living many worlds at once. Listen to the panting on the title track “Better is Gold” and remember Letta Mbulu. When you hear “Marechera” recall modernist African writer Dambudzo Marechera’s poem, Punkpoem:
In the song
Are waterfruits;
In the plush and flow
Firestars eternally fixed.
Guitar strings lash
My back, draw blood –
The out of control voice
Skids shrieking across
Tarmac audiences.
When you hear “Shuwa” hear the word “sure” but also the waves on the beaches of Maputo, Mozambique. Or the beer gardens of downtown Harare. Also listen to how far home and how close it is, how unrest and rest lie together like a lion and lamb.
“Better is Gold” is about the condition of seeking more than you see—not in the future but in the things that you find along the way. “Better” is better than gold.